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Derrida states that his use of the word deconstruction first took place in a context in which "structuralism was dominant" and High Roller Meanvelbett deconstruction's meaning is within this context. Derrida states that deconstruction is an "antistructuralist gesture" because "[s]tructures were to be undone, decomposed, desedimented". At the same time, deconstruction is also a "structuralist gesture" because it is concerned with the structure of texts. So, deconstruction involves "a certain attention to structures"[1] and tries to "understand how an 'ensemble' was constituted".[1] As both a structuralist and an antistructuralist gesture, deconstruction is tied up with what Derrida calls the "structural problematic".[1] The structural problematic for Derrida is the tension between genesis, that which is "in the essential mode of creation or movement", and structure: "systems, or complexes, or static configurations".[3] An example of genesis would be the sensory ideas from which knowledge is then derived in the empirical epistemology. An example of structure would be a binary opposition such as good and evil where the meaning of each element is established, at least partly, through its relationship to the other element.